Battle Hymn of the Republic

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"The Battle Hymn of the Republic" is an American abolitionist song, written by Julia Ward Howe in November 1861 and first published in The Atlantic Monthly on February 1, 1862, that became popular during the American Civil War.

Lyrics

    Mine eyes have seen the glory of the coming of the Lord:
    He is trampling out the vintage where the grapes of wrath are stored;
    He hath loosed the fateful lightning of His terrible swift sword:
    His truth is marching on.

Battle Hymn of the Republic Written by Julia Ward Howe
	Performed by Frank C. Stanley, Elise Stevenson, and a mixed quartet in 1908 for Edison Records.
This media file was first published prior to 1/1/1923, and is in the Public Domain. Problems listening? See Media Help.

        (Chorus)
        Glory, glory, hallelujah!
        Glory, glory, hallelujah!
        Glory, glory, hallelujah!
        His truth is marching on.

    I have seen Him in the watch-fires of a hundred circling camps,
    They have builded Him an altar in the evening dews and damps;
    I can read His righteous sentence by the dim and flaring lamps:
    His day is marching on.

Julia Ward Howe, 1819-1910,
Photo circa 1861.

        (Chorus)
        Glory, glory, hallelujah!
        Glory, glory, hallelujah!
        Glory, glory, hallelujah!
        His day is marching on.

    I have read a fiery gospel writ in burnished rows of steel:
    "As ye deal with my contemners, so with you my grace shall deal;
    Let the Hero, born of woman, crush the serpent with his heel,
    Since God is marching on."

        (Chorus)
        Glory, glory, hallelujah!
        Glory, glory, hallelujah!
        Glory, glory, hallelujah!
        Since God is marching on.

    He has sounded forth the trumpet that shall never call retreat;
    He is sifting out the hearts of men before His judgment-seat:
    Oh, be swift, my soul, to answer Him! be jubilant, my feet!
    Our God is marching on.

As originally published 1862 in The Atlantic Monthly.

        (Chorus)
        Glory, glory, hallelujah!
        Glory, glory, hallelujah!
        Glory, glory, hallelujah!
        Our God is marching on.

    In the beauty of the lilies Christ was born across the sea,
    With a glory in His bosom that transfigures you and me:
    As He died to make men holy, let us die to make men free,
    While God is marching on.

        (Chorus)
        Glory, glory, hallelujah!
        Glory, glory, hallelujah!
        Glory, glory, hallelujah!
        While God is marching on.

    He is coming like the glory of the morning on the wave,
    He is Wisdom to the mighty, He is Succour to the brave,
    So the world shall be His footstool, and the soul of Time His slave,
    Our God is marching on.

        (Chorus)
        Glory, glory, hallelujah!
        Glory, glory, hallelujah!
        Glory, glory, hallelujah!
        Our God is marching on.

Score

History

The tune was written around 1855 by William Steffe. The lyrics at that time were alternately called "Canaan's Happy Shore" or "Brothers, Will You Meet Me?" and the song was sung as a campfire spiritual. The tune spread across the United States, taking on many sets of new lyrics.

Thomas Bishop, from Vermont, joined the Massachusetts Infantry before the outbreak of war and wrote a popular set of lyrics, circa 1860, titled "John Brown's Body" which became one of his unit's walking songs. According to writer Irwin Silber (who has written a book about Civil War folk songs), the original lyrics were not about John Brown, the famed abolitionist, but a Scotsman of the same name who was a member of the 12th Massachusetts Regiment. An article by writer Mark Steyn maintains that the men of John Brown's unit had made up a song poking fun at him, and sang it widely. Though "Canaan's Happy Shore" has a verse and chorus of equal metrical length, "John Brown's Body" has a longer verse to accommodate the words packed into its line.

Bishop's battalion was dispatched to Washington, D.C. early in the Civil War, and Julia Ward Howe heard this song during a public review of the troops in Washington. Whatever the accuracy of Silber's and Steyn's accounts, the lyrics heard by Howe were about John Brown the abolitionist. Her companion at the review, the Reverend James Clarke, suggested to Howe that she write new words for the fighting men's song. Staying at the Willard Hotel in Washington on the night of November 18, 1861, Howe awoke with the words of the song in her mind and in near darkness wrote the verses to the "Battle Hymn of the Republic" . Of the writing of the lyrics, Howe remembers, "I went to bed that night as usual, and slept, according to my wont, quite soundly. I awoke in the gray of the morning twilight; and as I lay waiting for the dawn, the long lines of the desired poem began to twine themselves in my mind. Having thought out all the stanzas, I said to myself, 'I must get up and write these verses down, lest I fall asleep again and forget them.' So, with a sudden effort, I sprang out of bed, and found in the dimness an old stump of a pen which I remembered to have used the day before. I scrawled the verses almost without looking at the paper."

References

Portions of this document are extracted from Wikipedia:The Battle Hymn of the Republic and as such all text is available under the terms of the GNU Free Documentation License. Some content, where noted, may be copyright protected.